Instead, they live their lives in such a way as to perpetuate their sense of superiority — however unrealistic that may be.
The people with newly acquired wealth, though, aren't necessarily much better. Think of Gatsby's partygoers. They attend his parties, drink his liquor, and eat his food, never once taking the time to even meet their host nor do they even bother to wait for an invitation, they just show up. When Gatsby dies, all the people who frequented his house every week mysteriously became busy elsewhere, abandoning Gatsby when he could no longer do anything for them.
One would like to think the newly wealthy would be more sensitive to the world around them — after all, it was only recently they were without money and most doors were closed to them. As Fitzgerald shows, however, their concerns are largely living for the moment, steeped in partying and other forms of excess.
Just as he did with people of money, Fitzgerald uses the people with no money to convey a strong message. Nick, although he comes from a family with a bit of wealth, doesn't have nearly the capital of Gatsby or Tom. In the end, though, he shows himself to be an honorable and principled man, which is more than Tom exhibits.
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Myrtle, though, is another story. She comes from the middle class at best. She is trapped, as are so many others, in the valley of ashes, and spends her days trying to make it out. In fact, her desire to move up the social hierarchy leads her to her affair with Tom and she is decidedly pleased with the arrangement.
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Because of the misery pervading her life, Myrtle has distanced herself from her moral obligations and has no difficulty cheating on her husband when it means that she gets to lead the lifestyle she wants, if only for a little while. What she doesn't realize, however, is that Tom and his friends will never accept her into their circle. Notice how Tom has a pattern of picking lower-class women to sleep with. For him, their powerlessness makes his own position that much more superior.
However, the results of this report are based on the month period from January to March the first several months were excluded to account for transcription processing and for the SEO effects of transcription to propagate.
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During this period, the TAL website had about 16 million unique visitors and million page views. Google Analytics was used to obtain the data. It gets about , unique visitors per month and about two-thirds of the visits are by returning visitors. On average, a visitor stays on the site for about 7 minutes and views 2.
TAL began transcribing their radio archives in April, and completed the entire backlog by October, Since that time, transcripts have been posted within 24 hours after a program airs.
Each transcript is published on a separate web page that is linked to the main episode page. In order to assess the impact on user engagement we looked at the proportion of unique visitors who viewed a transcript. The result is that 7. In order to assess the amount of new inbound traffic, we looked at the number of unique visitors who landed on a transcript page i.
The result is that 4. This represents a 4. Drilling down on the new inbound traffic, more than half came from search. Each episode is around 20 to 30 minutes, and the stories unfold with drama and suspense. The storytelling is not dogmatic; rather, the political context of problems that have emerged after decades of Communist Party rule is simply implied.
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Not mentioned is that four decades of birth restrictions and a traditional preference for boys have created a large gender imbalance in China, making it difficult for many poor rural men to find wives. I want to show the different angles.
With salt-and-pepper hair, glasses and a calm demeanor, Mr. Kou fits the mold of the nonjudgmental, empathetic podcast host cast by audio idols like Ira Glass, Terry Gross and Mr. A trained librarian turned journalist, Mr. Kou is a year-old native of Jilin Province in northern China. He first seriously considered making a podcast while working as a news assistant for a Swedish radio station in Beijing.
Over the past two years, Mr. Kou has built up a team of 10, including journalists, sound engineers and interns.
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